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Warner Bros. Pictures presents, 
in Association with Gaylord Films, 
a Di Novi Pictures/Gerber Pictures Production, 

What A Girl Wants, starring 

AMANDA BYNES - Daphne Reynolds
COLIN FIRTH - Lord Henry Dashwood
KELLY PRESTON - Libby Reynolds
EILEEN ATKINS - Lady Jocelyn
ANNA CHANCELLOR - Glynnis
JONATHAN PRYCE - Alastair Payne
OLIVER JAMES - Ian Wallace

Directed by DENNIE  GORDON, 
the producers are DENISE DI NOVI, BILL GERBER and HUNT LOWRY. 

The screenplay is by JENNY BICKS and ELIZABETH CHANDLER. 

E.K. GAYLORD II, ALISON GREENSPAN and CASEY LA SCALA are the executive producers. 

ANDREW DUNN, B.S.C. is the director of photography; 

MICHAEL CARLIN is the production designer; 

CHARLES McCLELLAND is the editor; 

music is by RUPERT GREGSON-WILLIAMS.


What A Girl Wants was released on April 4, 2003 by Warner Bros Pictures, an AOL Time Warner Company. 

What A Girl Wants has been rated PG by the MPAA for “mild language.” 

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Plot summary


Daphne Reynolds (AMANDA BYNES) has what every girl wants – or so it  seems. This spirited young American girl has a unique style all her own,  an unconventional but loving relationship with her bohemian mother Libby (KELLY PRESTON) and a future full of possibilities – but despite her  remarkable promise, Daphne feels incomplete. She dreams of one day meeting the father she’s never known, the man Libby shared a whirlwind  romance with seventeen years ago, but ultimately left behind because his aristocratic family found her unsuitable. 

Determined to live out her fantasy of forging a storybook relationship with her long-absent dad, Daphne impulsively hops a flight to London, where  she quickly discovers that her father is high profile politician Lord Henry  Dashwood (COLIN FIRTH). 

When Henry opens his life and his social calendar to the daughter he never knew existed, Daphne’s appearance in high society creates an  uproar that threatens to undermine his political career. Not wanting to jeopardize his campaign for an upcoming election, Daphne stifles her naturally vibrant personality, refashions herself as a proper debutante and plunges into a whirlwind of stuffy British social events. But even with Henry’s support, she’s not getting any help from his conniving fiancée (ANNA CHANCELLOR) or her jealous daughter (CHRISTINA COLE), who are bent on ruining Daphne at every turn. 

With the aid of Ian, a charming and society-savvy local musician (OLIVER  JAMES), Daphne attempts to prove that love – and proper etiquette – can conquer all. But Daphne soon realizes she doesn’t like the person she’s becoming in the process. As much as she wants to be her father’s daughter, it’s not worth it if she can’t be herself. 

After all, as Ian asks her, Why fit in when you were born to stand out?

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General Comments

Inspired by the fairy tale charm of the 1958 Sandra Dee–Rex Harrison romantic comedy The Reluctant Debutante, producer Denise Di Novi developed What A Girl Wants, the coming-of-age story of a spirited young woman who dreams of forging a relationship with the father she’s never known. “I think every young girl dreams of finding her prince,” says Di Novi, producer of the inspirational romances A Walk to Remember and Message in a Bottle. “In What A Girl Wants, we have a girl who longs to make her fairy tale fantasy come true, but the prince she’s searching for is her father.”

The resulting film isn't exact serious film, but in these times of world turmoil, this film is what the doctor ordered.  This Disney-esque world in which the story occurs is a far cry from our reality, but part of the pleasure of going to movies is to take the viewer away from their life and troubles for an hour and some minutes.  As long as you don't expect serious cinema, What a Girl Wants will not disappoint.

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Trivia 


Premieres

Photo by: E CHARBONNEAU / BEI 
US Premiere: Thursday, March 27, 2003 @Cinerama Dome 6360 Sunset Blvd., Hollywood, CA. (located near the southwest corner of Sunset and Vine)

NYC premiere  (to benefit the Rainforest Alliance) Wednesday, April 2, 2003 7:00 p.m. @ The Ziegfeld Theatre 141 West 54th Street, NYC

Sneak previews on 29.3.2003 in select theatres (US)
 

First week box office; **

What a Girl Wants came in second with $11.4 million, almost the same as
Amanda Bynes first movie, Big Fat Liar. Reviews were not good, but the
CinemaScores were excellent, getting an A+ among the target audience, and even more surprising were the good grades among men of all ages (A-).
(added) Overall grades were A. So this movie should have legs, and $50
million should be a safe bet. (CinemaScores 10.4.2003)


Locations:

Director Dennie Gordon was so passionate and determined to make What A Girl Wants in England that before the film was even greenlit, she traveled to England on her own coin to woo Colin Firth and to snap hundreds of potential location photos. 

Di Novi acknowledges with a laugh that the production itself took a coming-of age voyage. “In England, we Americans were the fishes out of water, so to speak. For example, we had to explain why we were homesick on Fourth of July. But there was a really nice give and take between the two worlds and our experiences underscored the truth that teenagers are teenagers anywhere you go.” 

Director Dennie Gordon and company commenced principal photography on What A Girl Wants on June 5, 2002, outside one of Britain’s finest private homes, West Wycombe Park in Buckinghamshire, an hour’s drive from Central London. 

In the course of the film’s nine-week schedule, London and its environs revealed hidden gems in a city full of surprises. Location managers Nicholas Daubeny and Robin Higgs, fresh from the rigors of Harry Potter and the Chamber of Secrets, flexed their expertise in selecting some of the prime sights of London and the Home Counties. 

Principal among the locations was West Wycombe Park, which stood in for the Dashwood home (both interiors and exteriors). The lake provided a memorable scene between Ian and Daphne and the grounds also doubled as the site for two lavish weddings.

West Wycombe Park, a National Trust property, is open to the public – who were quite intrigued to find themselves in the middle of a film set! Sir Edward Dashwood and his wife Lady Lucinda and their young family still live at the Estate, and the family not only played host to the filmmakers, they also allowed the use of their name for the cinematic Dashwood family. “Dashwood” is a famous name in English heritage – a Dashwood ancestor started the Hellfire Club, a scandalous gentlemen’s club of the 19th century. 

“Casting our Dashwood Estate was almost as difficult as casting any of the actors,” Gordon reveals. “It had to have a very specific ability to be foreboding and intimidating and massive – and then have the ability to warm up once Daphne has moved inside the house. We used the theme of Ain’t no sunshine when she’s gone to inform our production design of the house. For example, when Daphne moves into the Dashwood Estate, the sky turns a brighter blue and the flowers bloom more brilliantly. This home is around 500 years old with this extraordinary color, this gorgeous gold and ochre that gave us an opportunity to let the house come to glorious sunshine life.” 

Gordon credits director of photography Andrew Dunn with bringing the house – and her vision for Daphne’s journey – to life. “I hired Andrew because I love the way he tells stories with the camera,” she says. “His background, from Ever After to Sweet Home Alabama to Gosford Park, told me that he was the ideal cinematographer to shoot this movie.” 

“Andrew was just fabulous,” executive producer Alison Greenspan adds. “He really imparted a beautiful, rich look to the film. As Daphne comes into the house, it’s infused with a light and an energy, and Andrew is the one who was able to bring that texture to the screen.” 

Because much of the action in What A Girl Wants takes place during the London Social Season, the filmmakers emphasized lush and lavish locations. Few locations could be considered more lavish than the Painted Hall at the Royal Naval Academy of Greenwich, the setting for the Royal Fashion Show, the first society event Daphne attends.

The Royal Naval Academy at Greenwich is now part of the University of Greenwich campus, and in an earlier age, Henry VIII and his daughters Mary and Elizabeth were born at Greenwich Palace on the site of the Royal Naval Academy. The Painted Hall has been magnificently restored and is considered one of the grandest pieces of baroque painting by an English artist. 

The Chapel at the Royal Naval Academy was used as a location for a political rally given by Henry Dashwood. The chapel, long associated with Britain’s seafaring legacy, bears the apt inscription: “Faith is the substance of things hoped for, the evidence of things not seen.” 

A singular breakthrough for the filmmakers occurred when they were granted permission to film a ball for four days in Lancaster House, currently used for high level Government entertaining and important international conferences. (Lancaster House is next door to Clarence House, the late Queen Mother’s London residence, now to become the London residence of His Royal Highness, The Prince of Wales.) To secure permission to lens at the prestigious locale, Gordon had tea with the Vicar. 

Several days were also spent on location at Royal Air Force Halton, once the weekend retreat of Lionel de Rothschild. Upon Lionel’s death, his son Alfred inherited Halton and from 1879-1883 built Halton House, one of the first houses to be built with electric light and to use central heating. In the basement there is the forerunner of the modern sauna – a plunge bath. 

In addition, two very pleasant days were spent at Henley, by the river Thames, where the annual Henley Regatta is a prominent date on the social calendar of England. 

In the East End of London, the What A Girl Wants production team gave a makeover to Borough Market, a bustling thoroughfare, which was transformed into a New York Chinatown street, complete with wrought iron fire escapes. A coffee shop became a Chinese restaurant – confusing a local resident on that particular Sunday morning when he arrived for his caffeine fix! 

During the final week of the picture, a small unit including Colin Firth and Kelly Preston traveled by charter plane to Morocco to film for three days in and around Quarzazate on the edge of the Sahara. 

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Comments on Colin 


“Colin is the master of restraint,” [director Dennie] Gordon concurs. “His integrity and sex appeal bring added depth and texture to his character. He was my first and only choice to play Henry Dashwood.” 

. . .But mention Colin Firth, and Dennie, like most women nowadays, *really* gets excited. “I always wanted Colin. I wanted to get Colin before the movie was even greenlit. I came over to woo him because I felt he could bring something for the adults. Since BRIDGET JONES, he makes all girls kinda weak in the knees.” As for why it is that this proper, straight-laced Brit melts hearts the world over, Dennie enthuses, “I gotta tell you, when I first went to England to beg him to be in the movie, we didn’t even have a script. I just pitched him the story. And there was something about the pitch, I think, that spoke to him. And with Colin… you get this unbridled principle integrity from Colin; it’s just there in the man.” . . .  (Mr. Beak's interview from Ain't-it-Cool-News 03.4.2003)

[Producer Denise] Di Novi observes, “Colin plays this reserved aristocrat so convincingly, but there’s great heart beating beneath the surface. He portrays so much through his eyes, through the slightest expression or gesture.” 
 


Firth’s experience handling the motorcycle for the sequence wasn’t quite as heroic, however. “I found that if you have one motorbike lesson, then don’t practice for a couple of weeks, you have about 10 minutes of thinking you’re rather brilliant before you fall off,” he divulges. “I went up a hill at high speed and then fell over at two miles an hour. I came back with bits falling off the bike.” 
'He is amazing! I adore him, and feel lucky to know him!' --Amanda Bynes' reply in Ask Amanda to what it's like to work with Colin

“'...When I found out Colin was doing it I was shocked that he would be near me, let alone do a movie with me. He was amazing. Even better than I thought he would be. He's down to earth and has such a good sense of humor and is so charming and such a lovely guy.'...Sharing the screen with Firth taught Bynes about the craft of acting. 'There's no exact 'how to' but he's so natural that when he does it, I don't ever see him studying lines but he always brings something to it. He's hard on himself and will do the take 50 times and make sure it's right. Having that type of commitment and stamina is really impressive and is really a good role model and something good to see.'”  (Amanda Bynes, comingsoon.net)

from tribute.ca

Q: You got to co-star with British heartthrob Colin Firth who plays your dad. Did anything surprise you about him? 

A.B. I have yet to meet a woman who doesn’t love Colin. I just think he is one of the cooler guys you’ll meet. He is just so down to earth and so funny and so smart. It’s almost like he is too perfect, but he was a great father. The thing that sort of surprised me, I guess, was he was so funny. He had a really great sense of humor. 

Q:  He was absolutely perfect in the role. 

A.B. As far as I’m concerned there was no one better to play my dad in this movie. There was nothing intimidating about Colin Firth, he made me feel at ease right from when I met him. He is so talented and a real professional. He never made me feel awkward at all. 

Oliver James on Colin Firth;

[Oliver's] very first scene was with Mr. Firth (best known here for P&P and BJD).  But Mr. Firth put him at ease right away.

"The World Cup was going on when we were filming, and I didn't have a TV in my trailer, so Colin called me in to watch soccer with him.  He is very approachable and keen to help -- even more charming off screen than on."  (Dallas Morning News 1.4.2003)

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Comments by Colin


regarding Henry

“Henry is a good boy,” Colin Firth says of his aristocratic character. “The most scandalous thing he’s ever done is fall in love with Libby. Now, nearly 20 years later, he’s living out his father’s political dreams and he’s engaged to a woman he’s been advised to marry.” 

“When Libby left him, Henry shut down,” [Exec. Producer Alison] Greenspan says. “He completely repressed his spirit and he’s living out dreams that belong to someone else.”

“He’s rather formal,” Firth says of Henry’s approach to sudden parenthood, “and he finds it very difficult to express himself as a father. He doesn’t have the language for it.”

In What A Girl Wants, we have a girl who longs to make her fairy tale fantasy come true, but the prince she’s searching for is her father.

Henry has to walk a very fine line between getting to know this girl and servicing his political campaign. He’s a sincere guy who is trying to do the right thing, but he’s deeply conflicted.”

“Daphne is the breath of fresh air Henry has needed for the past seventeen years,” Greenspan suggests. “Not only does she remind him of Libby, she reminds him of the person he was when he was with her.”

“One of the things I’ve always loved about this story is that the father learns something about life from his daughter,” says Di Novi. “Being a parent teaches you a lot, and this girl’s complete honesty and candor teach her father who he’s meant to be.”

Daphne’s first glimmer of the man her mother fell for so many years ago comes at a prestigious regatta, when she thwarts the advances of a hands-on admirer and causes a minor sensation among the scandalized bystanders. In a moment of spontaneity and instinctual rebellion, Henry commandeers Ian’s motorcycle, Daphne jumps on back and they make a roaring escape from the rabid paparazzi. 

Their daring escapade strengthens the growing bond between father and daughter, but pressure from [his political advisor, Alastair] Payne and Glynnis for Henry to return to his proper self and uphold the obligations of the Dashwood name proves too great. “At a certain point,” says Firth, “the whole burden of duty and family legacy poses a serious threat to their happiness. Henry tells Daphne, If you are going to be a member of this family, there are sacrifices that have to be made. I have to make them. You have to make them. Basically, it means no more spontaneity. No more fun.” 

“Henry goes from being very stiff and reserved to being more sensitive and communicative about his feelings and emotions,” Bynes reveals. “Daphne teaches him it’s okay to be loud and funny and  inappropriate, if that’s who you are. Be true to yourself and follow your heart.”

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Reviews

Amanda Bynes is pert teen star, but Colin Firth keeps the film fun. . . Watching Firth mumble and flubber and fidget with adorable sincerity, you wonder if he took some priestly vow of serious acting. He works through his jokey squiggles of emotion, even his “air guitar” dance in leather from Dashwood’s youth, as if he were being loyal to Chekhov or the Oscar Wilde of “De Profundis.” 

It is Firth, and the spread of British sites, sights, speech and clipped wit (plus some dorky stuff) that keep “What a Girl Wants” bearably amusing. It is all a lot closer to Cyndi “Girls Just Want to Have Fun” Lauper than to Sigmund “What do women want?” Freud. Poor old Freud, stuck in a pre-Firth era, never did answer his question. 
--San Diego Tribune and MSNBC



This warm and funny wish-fulfilling fantasy is a richly rewarding ride. From its seductive wealth trappings to a sweet romance, director Dennie Gordon pushes the right buttons.  Of course, any cast with Firth has built-in charm. Flustered but entranced by his daughter's appearance, his Henry is thrown lovably off-balance. . . . Bynes unleashes Firth's inner party animal. That's epitomized by a hilarious scene in which he dons leather pants to play air guitar before a mirror. 
--Houston Chronicle


for mothers weary of the boring grown-ups in Crossroads and A Walk to Remember, there's Colin Firth, who may look like a dad to the kids but will always be Pride and Prejudice's Mr. Darcy to the rest of us.  . . .   Dad loosens up enough to try on a pair of his old leather pants. That's Colin Firth in leather pants. Now talk about a fantasy. 
--Miami Herald


What a Girl Wants will more likely hook their mothers. Ostensibly, the movie stars Nickelodeon luminary Amanda Bynes, but it truly belongs to Colin Firth, the thinking woman's Hugh Grant.  . . .

Nobody can do hound-dog eyes coupled with upper-class repression better than Firth, and here he gets his chance. --Philadelphia Inquirer



What a Girl Wants" is about as perfect a pop confection as you could want: sweet, funny, sly, hip, surprisingly touching -- and a showcase for the dynamic Amanda Bynes. . . .  Firth, who exudes the same repressed hunkiness he did in "Bridget Jones' Diary," is a sympathetic father figure and sparks nicely with Preston.  --Salt Lake City Tribune


Bynes has a definite appeal, her supporting cast (Kelly Preston, Jonathan Pryce and especially Colin Firth, who gives a genuine performance as her long-absent father) is strong and the movie musters a moment or two of fairy-tale charm. 
--Seattle Post Inteligencer


The extent to which this movie works is a credit primarily to Firth and Atkins.   Firth ("The Importance of Being Earnest") is a delight as the aristocrat struggling to rein in his wild side and as the bumbling father trying to figure out the meaning of his new role.        --New Orleans Times-Picayune


A lot of romance-loving moms will fall for this lighthearted comedy, too, since it stars handsome British heartthrob Colin Firth ("Bridget Jones's Diary") and lovely Kelly Preston ("Jerry Maguire") as a pair who missed the love boat after a whirlwind affair that happened long ago. . . . Firth is fine as poor, befuddled Lord Henry Dashwood, who never knew he had a daughter until now. . . .

Slapstick and sweetness combine for a bright, sometimes poignant 104 minutes of fun -- if you're female, and young in years or at heart. --Daily Oklahoman



It lacks Diaries' exuberance, but Girl does boast the likable presence of Nickelodeon star Amanda Bynes, the suave charm of Colin Firth and a cute, chaste romance with youthful hunk Oliver James.          --USA Today


Firth is extremely enjoyable as a befuddled father trying to balance his prim and proper life with his spirited teenager's influence. Not everyone could have pulled off the scene in which, clad in leather pants and a muscle tee, he cuts loose in front of a mirror to the strains of "Rock 'n' Roll Hoochie Coo."                                          --TV Guide
 

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Favourite Quotes


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Favourite Scenes/What to Watch out for

Hands down, the leather pants scene

The scene with Princess Charlotte when a perceptible change in Henry's attitude toward Daphne

The phone call from Libby to Henry where she says "it comes naturally doesn't it?" he asks "what's that?" and Libby replies "Worrying."

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Ratings 

LW "rating system"

*****
Superb/breathtaking/heartstopping/etc
*****
Excellent
*****
Very pleasing
*****
Still lovely, but . . .
*****
Bad hair day

RPP "rating system"



Colin's looks
Colin's acting ability
The film in general
Ranking in the films of Colin Firth
Watchability & rewind factor

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Weblinks 

http://www.allmovieportal.com/m/2003_What_a_Girl_Wants_photo.html

Atlantic Records

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Credits 


Unless otherwise noted, info from WAGW presskit. 
Photos courtesy Warner Bros Pictures, an AOL Time Warner Company. 

Research; Mari, Brenda, Liz
 

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