Time Out - 1989 From the Friends of Firth Collection
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"...love me" acting. I'm sick to death of people suffering elegantly in English country gardens.' "A Month in the Country' had its share of pastoral romanticism, but scratch the surface and a very different picture emerges, a vision of alienation and fear, of increasingly noisy desperation. Dispensing with the cosy period trappings, these same characteristics become more and more evident in Firth's powerful work in the BBC's harrowing Falklands play 'Tumbledown' and his new film, the Anglo-Argentine "Apartment Zero."
 
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"I really lived through "Tumbledown", and this film was like an apology for me, a chance to go to Argentina and try to understand the place." Argentina is one of Firth's obsessions; another is his work, which he discusses passionately. 'Neurotics and paranoids and villains are the hunting ground for an actor. As soon as I see a character with problems - it's something to play: you get to do the walk and the twitches... ' Firth plays Adrian, the quintessential Englishman abroad: arrogant, repressed, alone to the point of madness... 'You can take the hang-ups and see it to its conclusion; it's like splashing around in the mud, much more exciting than putting on a winged collar and walking around with your hands in your pockets.'

Not surprisingly for a film that goes for broke in every scene and frequently gets there, 'Apartment Zero' has had an unusually mixed response, winning festival prizes and comparisons with Hitchcock, Chabrol and Polanski, and inspiring a number of walk-outs. 'Oh God,' groans Firth when I ask what he thought of the final cut, 'yes, I was pleased because I expected not to be. Despite odd pretences the film has, ultimately I was pleased because I found it very truthful to the experience I had in Argentina. Have you ever heard real Argentinean tango? It's unfulfilled, very scrappy... there's a romantic yearning, the Parisian-sounding accordion, but the direction it's going in is positively weird - I think the film has that quality.'

'Positively weird' could also apply to another new project, "Wings of Fame'. Something like "After-Lifestyles of the Rich and Famous', it is set on an isle of purgatory where your continuing fame amongst the living determines the standard of your accommodation... Firth describes it as 'very strange and very funny'. It was directed by a Czech nuclear physicist, and also involves Peter O'Toole, Busby's Babes, Einstein and Lassie!

The ace in this had of jokers will be Milos Forman's version of "Les Liaisons Dangereuses', 'Valmont'. set for a November release in the States. Firth is already playing down the inevitable comparison with "Dangerous Liaisons'. 'The two films are as different as I am from John Malkovich; he plays loveable rogue... I don't'. He also scoffs at the idea of a career boost: 'It's a silly notion. Each job is its own enterprise, it's a very personal process. More people will probably know who I am after "Valmont", so big deal, they'll forget again in a few months... as long as it doesn't close any doors.' 

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