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There
is an unprecedented spate of new British and Irish plays on Broadway
at the moment. We send
them The Blue Room, the Weir, Closer, Dame
Judy Dench and Sir
David Hare.
And what do we get in
return? Well Neil Simon is still a going concern.
And the Donmar is presenting
an American season of new plays.
Three Days of Rain
introduces a very clever, if rather dry and
schematic young dramatist
called Richard Greenberg.
And we do him proud.
Colin Firth, Elizabeth McGovern and David Morrissey
add flesh and passion
to two overlapping triangulaar love stories in New
York.
First, 1995: a brother
and sister of a lately dead architect pick over what
happened, the legacy,
the house that must be lived in.
The son of the architect's
partner, a TV actor who eats chocolate and
doesn't put on weight,
reveals his affair with the architect's daughter.
Cut backwards, after
the interval, to 1960.
The same three actors
play the two architects and the girl who left one for
the other in three
days of rain: wet, wet, wet. Lucidity of writing and
the pointed, precise
playing in robin Lefevre's smart production on a
pristine white setting
brings us all together.
The emotional switch
is beautifully handled. Miss McGovern is stunning as
a calculating Southern
Belle whose weakness for drink parallels that of her
daughter, while Firth
heads backwards from nerdy inheritor to stuttering,
awakening artist of
the drawing board. And the wonderful Morrissey
redifines his Nineties
nerve as Sixties cool , finally left our in the
rain, like the cake
in the pop song. It is heartening to hear good writing
emerging from off Broadway
again. I just wonder, though, if these
triangular, interconnecting
designs for living will carry too parochial, or
dare one say pointless,
a punch.
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