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Talent, Talent & More Talent
Actor:
Colin Firth
by Louise Brearley
A year after his britches
drove the nation to a frenzy in Pride And Prejudice, Mr.
Darcy turns football-mad
schoolteacher for Fever Pitch.
Colin Firth is used
to causing a sensation. It started when he was five years old. Dressed
for a school production of Jack Frost in white satin trousers, blue sash
and polystyrene crown, Firth brought the house down. "I remember doing
some sort of dance which amused everybody," he smiles. "And I remember
getting a lot of praise. " Nothing, however, could have prepared him for
Darcy-mania. At its height last summer, a car-load of Sunday Mirror journalists
laid siege to Firth's Hackney flat,
having spotted his
girlfriend carrying in a vacuum cleaner. They refused to go away until
he gave them a quote.
The furore caused by
the BBC's Pride And Prejudice last year was attributed in some circles
to a certain pair of britches and a soaked Colin Firth rising Adonis-like
from a lake. As far as thousands of British females were concerned, Firth's
brooding reinvention of Jane Austen's Mr. Darcy hit the (g-)spot. Women's
Hour producers from Radio 4 plotted to get him on their show, for reasons
they simply described as "lust".
When the national obsession
first kicked in, its object was 5,000 miles away in Colombia, filming the
recent BBC adaptation of Nostromo. "It was very peculiar, because it's
not as if I had just appeared out of nowhere," Firth laughs, a touch ruefully.
"The first I heard was from my mum on the phone. And I thought it was just
mum exaggerating like only mothers can."
Then Pride And Prejudice
went sky-high in America and its 35 year-old hero was deluged with attention.
But Firth ignored seductive offers of roles in the likes of Beverly Hills
Ninja and homed in instead on the lead in low-budget footie film Fever
Pitch, and a small part as Kristin Scott Thomas's cuckolded husband in
12-times Oscar-nominated The English Patient.
Today Firth is eating
lunch on a catering bus behind Highbury stadium, waiting to be called to
the set of Fever Pitch, a fictionalised account of Nick Homby's best-selling
memoir about life as an Arsenal- obsessed schoolteacher. Firth is convinced
he looks like the writer, but the connection needs a considerable leap
of faith. Where pretty-boy-next-door Firth is lofty and floppy-haired,
Hornby is small of stature and quite bald.
Through the bus windows,
the hallowed towers of Arsenal FC are swimming in the heat and Hornby's
pate is shrimp-pink from the sun. "I've never been a football fan," ruminates
Firth from behind an improbable molehill of finger food. "But I think what
being a serious fanatic is all about is living for those moments of euphoria.
In many ways Nick is writing about things I know very well: I am a thrill
seeker. I'm just not looking as actively for the fix as I used to be. As
my life has gone on I have tried to be less at the mercy of that sort of
thing and invest more in things that are not as ephemeral."
If Firth seems wildly
pragmatic about his It-Boy tag, it could be because he's been in the running
for the big time before. In 1988 he won the title role in Milos Forman's
Valmont, the $35 million Hollywood version of Les Liaisons Dangereuses.
But it was John Malkovich's lizardly rum in the same role in Stephen Frears's
version, Dangerous Liaisons, which caught the public imagination. "It felt
a bit like walking into a room and telling a joke which everyone had just
stopped laughing at," remembers Firth.
"Whether you tell it
better or not, it's not going to work. "Because my Valmont was not making
boo-hiss faces, a lot of people didn't seem to think he was even a bad
bloke," he continues. "But Forman didn't want any hint of malevolence.
It was a nightmare: 15 takes because he still thought that I was saying
the line as if I had some evil plan. When I first saw Frears's Dangerous
Liaisons, I had developed a taste for a much more subtle approach, so it
all seemed a bit like Dallas, a pantomime of grotesque villains. "
When filming on Valmont
was over, Firth disappeared with his co-star Meg Tilly, the mother of his
five-year-old son William, to the icy wilds of British Columbia. "I just
thought, I'll see what happens when the film comes out," he explains. "And,
of course, fuck all happened. In Hollywood you don't wait to see if it's
a flop. I dunno whether I was afraid of the place or was too pompous to
go and grovel to them. I just couldn't bring myself to do it. I think I
was probably a bit self-protective, a bit frightened of the magnitude of
the whole thing."
The refusal to work
the system left Firth back where he'd begun, turning in letter-perfect
performances in small British movies from the communist schoolboy in 1984's
Another Country through to the French medieval lawyer fighting parochial
prejudice in 1993's The Hour Of The Pig - and on TV in roles like the paralysed
Scots guard Robert Lawrence in the BBC's Falklands drama Tumbledown..
Firth speaks like an
E.M. Forster-Evelyn Waugh hybrid brought up in a world of boys' dorms and
cruel nicknames. But the public-school label is misleading. In fact, the
grandson of Indian missionaries, he spent his childhood moving between
Nigeria, St Lucia, Bath and Billericay with his father's peripatetic teaching
job, finishing up at a Secondary Modern in Winchester where he skived constantly
and talked "loik that".
"I detested school to
an incredible extent," he says. "I loathed being told what to do by people
I didn't respect. I didn't see why I should be thrown in with people who
I hadn't chosen to be with. Around the age of 14 l just thought, Fuck this.
Acting was just a big sort of bail-out, really. 1 wasn't getting a lot
of praise for anything else at school. I guess I was more of a show-off
than anyone else when it came to being on stage."
Firth has finished picking
over his lunch. "I don't give a shit about fame," he says, suddenly serious.
"I really don't. I haven't been thinking there is some next level that
I have to get on which would make me happier. Other people have thought
that for me."
-
Fever Pitch is released
in the UK on April 4; The English Patient is on release.
Copyright
©1997 Premiere UK
Reproduced
with permission of the copyright owner. Further reproduction or distribution
is prohibited without permission.
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