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"Lost Empires" opens with British soldiers lost
in the mist on a French battlefield. This scene is followed immediately
by a rousing recruitment drive on the variety stage. It is 1914. We are
instantly swept up by the patriotic fervor of the performers and the audience.
Back in the French woods, young Richard Herncastle
is sitting in the trenches while Colin's
voiceover tells the story. There, at the front, Richard is surprised to
see a figure from his past: the vivacious and talented Nancy Ellis here
to entertain the troops. She is singing the hauntingly beautiful: "You're
the handsomest boy I’ve ever seen . . ." But suddenly during her performance,
an explosion, bombs, and artillery fire occur. . . Everyone flees for dear
life. Nancy Ellis is whisked away in a jeep, and Richard cries out for
her. Unfortunately he is struck by a mortar shell, and it is at the bottom
of a crater filled with bodies that Nancy finds him. Holding the head of
the inert Richard, she cries out for help.
At this point, the main part of the story begins,
flashing back to events before the war. The story is told from Richard’s
point of view, and there is extensive commentary on events in the form
of voiceovers from Richard—obviously as an older man reflecting on his
youth and experiences.
At the start, Richard is a young man working as
a clerk in Bruddersford, Yorkshire. Richard’s
mother has just died. Her brother, Nick Ollanton, arrives in town in a
big car for the funeral. Uncle Nick is known on the stage as Gunga Dun,
Indian magician. He offers a job as on-stage assistant to the orphaned
Richard. He assures his nephew this will give him "a taste of the big bad
world." Richard had yearned to become a painter but the pay and opportunity
are too good to pass up.
We (and Richard) are now introduced to the gallery
of colorful characters who people the world of Empire theatres. In dreary
Newcastle, Richard meets his uncle’s assistant, the warm-hearted Cissie
Mapes, who shows him his "digs"; Nonie Colmar, the French acrobat who loves
to flirt and tease men; Harry Burrard, the pathetic, aging comic now made
fun of by the raucous public; Ricarlo, the Italian juggler; the comedian
Tommy Beamish ("bombastic and crude") and his assistant, the sultry Julie
Blane ("a fascinating mixture of cool beauty and warm promise"). The act
that really holds Richard's attention from the start is the singing act
titled "Suzy, Nancy, and the Three Gentlemen." From the first sight, Richard
is "barmy" and enthralled by young Nancy Ellis.
Part of Richard's initiation to the life of the
theatre is also the slow discovery that Uncle
Nick is a hard man. Nick is willing to share his misogynist views and dire
predictions with his impressionable nephew. As the episode unfolds, Nancy
is seen snubbing Richard while Julie is inviting him to her dressing room.
Repeatedly Richard is warned by different people to stay away from Julie.
Uncle Nick warns: "To her you're like fresh meat to a tiger . . ."
Burrard is also drawn to Richard. The washed-up
comedian confides that there is a conspiracy of the public against him.
In Glasgow, the next stop, Harry Burrard shoots himself in his dressing
room. The episode ends with Richard and Nancy clinging to each other as
Burrard's corpse is being slowly taken away from the theatre by the police.
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